Vektroid needs no introduction for the readers of anothercountyheard. The reclusive artist returns after a two-year hiatus from musical releases with a radical reworking of what is possibly the best track from the strong Magic Fades Push Thru album(via 1080p). The dramatic ballad is only the starting point for Vektroid, as elements of the original are hammered into an impossible-to-characterize new shape. Though bits of Magic Fade's original recording seem to drip out at times, with the unpredictability of a leaky fawcet, the remix breathes to it's own fragmented rhythm. There is aggression, a wicked delight, in the way the track is deconstructed. It begins with a disembodied voice saying "Fuck you", and ends, a long way from where it started, with the same voice saying "Wake the fuck up!" Another reviewer mentioned 'industrial', but what Vektroid does to this track is closer to dub than anything else. Any way you call it, it's fucking badass, and totally psychedelic, imho.
The original "Ecco" is posted below, in case you haven't heard it, and for comparison.
"Ecco" Vektroid Remix is available on the Push Thru Remixes album, a free download via Magic Fades (thanks!!) Haven't heard it yet, but it looks great, with remixes by Karmelloz, Persona La Ave and more...
With TOURISMO, Italian duo Welcome Back Sailors return with their first album since 2011's YES/SUN. When they first began releasing music in 2010, WBS and peers like Keep Shelly in Athens signaled the arrival of chillwave/dream pop on Mediterranean shores. YES/SUN achieved the marriage of '80s inspired vocal synth-pop and contemporary shoegaze/dream pop; one of the seminal albums of the era, easily ranking with Memoryhouse's The Years and Blackbird Blackbird's Summer Heart. I still listen to it.
TOURISMO finds the pair on familiar Balearic territory, but refining their production and sharpening their song-craft and vocal arrangements. The songs are well structured and dynamic, and modulating between slow burning yacht rock ballads like "Lonely Boy" and "Love Is A Mirror" and the regal uptempo pop of "Falling" and "Shining Blue". The music has rich studio-produced sound, filled out with horns and female vocals (by Sara Loreni). Old school synths and drum machines accompany real guitar and bass. There's nothing lo-fi or 'bedroom' about their music; no computers were used. The instrumentation is stylistically appropriated from mid-'80s Brit-pop. The duo have an unmistakable Pet Shop Boys fetish, with Incerti playing Neil Tennant to Alessio's Chris Lowe. There's also a touch of New Romantic; think Spandau Ballet and George Michael, and the trop-pop of Sade and China Crisis.
The most distinctive thing about Welcome Back Sailors is Danilo Incerti's beautiful, plaintive voice, which infuses the songs with accentuated emotion and intensity. "Act Like You Are Crazy" and "Something Great" literally explode with emotion. Haunting melodies and dense, surging synths reach a level of grandeur that few can rival. It may have been recorded recently but TOURISMOsounds like three and a half year's work. The collection has the unified production approach and thematic continuity of a classic album, an endangered concept in the age of I-tunes.
TOURISMO is record in love with the dusk.There's a melancholic resignation beneath the surface, a desire to experience the
"the spontaneous overflow of powerful feelings," that touches both
Romanticism and the Baroque, by which I mean an indulgence in emotion, rather than the love of ornamentation which characterizes the Baroque music, or the noisy abundance of details in the paintings labeled Baroque. It's Baroque in the same sense that Pet Sounds is. It's Romantic in the sense of being divorced from the temporal troubles of a rapidly changing world, choosing to focus of the timeless; love, friendship and trust. And that's why this record will sound as good in 2020 as it does in 2015.
The Orb began as a collaboration between Jimmy Cauty of The JAMS aka KLF and London DJ Alex Paterson. In 1989, their collaboration ended, following Paterson's concerns about The Orb being perceived as a side-project of The KLF. The pair had been working on a sort of magnum opus called SPACE, intended to be their debut album, when the fall out occurred. Cauty erased Patterson's contributions and released the LP on KLF's label.
The record was conceived as a journey through space, and some of the concepts involved later turned up in The Orb's Adventures Beyond the Ultraworld. The full, unexpurgated album WITH the contributions of Paterson has been unheard until recently, when a high quality digital file began making the rounds of collectors. Fans of the groups have always dreamed that this seminal record would one day be available, and now that dream has become reality.
You can hear the released version ON YOUTUBE, for comparison.
スーパーセックス永遠にSUPERSEX420 X TENDENCIES is collaboration between Brandon Smith and Michael Beatty, both of Alberta. It's really tasty foray into future funk. You can download the EP in 320MP3 from AMDISCS in exchange for an email address or stream the 128kbps Soundcloud. (Download it!)
Who else is there? Panda Bear has no competitors; he is the top artist in
the music game. The twin peaks of Person Pitch and Merriwether Post Pavilion
mark him as the single most important recording artist of the new millennium.
His long-awaited new album -- more than three years in the making -- has leaked.
Panda Bear Meets The Grim Reaper is impressive.The title is inspired by the many dub albums that use the 'versus' concept, most notably the 1976 classic King Tubby Meets The Rockers Uptown. There are 12 new tracks, although a couple are little more than fragments. Following close on the heels the four song Mr Noah EP, this is A LOT of new material.
Panda Bear is the consummate double-threat; the singer-songwriter with a choir boy voice who is a also a master psychedelic beat maker. The hymn-like quality of
his songs and angelic vocals makes an interesting contrast with the shuffling, noisy dub tracks that underlay but never overwhelm. Grim Reaper finds Panda Bear returning to the sample-driven construction of Person Pitch, but using stock sample packs instead of the problematic samples of other people's music.
The dude has his machines just precisely tuned. The mix is amazing, with the vocals right up front, and a kind of metallic sheen throughout. The layered sound might seem muddy at first, but on subsequent listens becomes clear and delineated, with deep-bottoms and lots of interesting sonic details. There is a wizardry at work in the sound here. Panda Bear is channeling the same aural gods that guided Brian Wilson, Phil Spector and Jimmy Page when they produced their weird studio magic.
“My previous tendency was to fuzz my music out a little bit,” Lennox told P4K, “but this time I wanted to make really simple melodies that
were more clearly defined.” The wash of echo and reverb that coats the vocals works to obscure the impossible-to-divine lyrics, which are oblique even when printed on a page. Which may be the point; lyric writing has never been his strong suit. The finished vocal productions become abstracted into their melodic and emotional essence -- the words effectively stripped of their meaning. “Everything I talk about on the songs was inspired by personal events,”
he says. “But I whittled away at the words so that they’d feel more
universal and less about things that happened to me.”
Lennox's Brian Wilson fetish has proved to be much more than a passing phase. Before Wilson gave up and went to bed, he was working on what he called “religious white spiritual music... teenage symphonies to God”, and producing wordless tracks like the all-vocals "Our Prayer". With tracks like "Boys Latin", with it's circular looped vocal chant, Panda Bear picks up where Brain left off in 1967, and points the way forward; vocal pop that explores the human voice as a musical instrument. Panda Bear is giving us a glimpse into his soul and it is a thing of beauty.
The tracks on Grim Reaper draw heavily on dub and hip-hop. Lennox has stated the album was influenced by 9th Wonder, and he's made clear his debt to J Dilla in several interviews. But the songs themselves contrast sharply with anything that is encompassed under the term 'hip-hop'. He's takes the structure, the tempo and vibe of instrumental hip-hop, and replaces rap with the missing component; singing, beautiful singing. This music is not afraid of being pretty and sweet.
Grim Reaper should be a real fan-pleaser. It has more dance floor-ready tracks like "Butcher Baker Candlestick Maker", "Mr Noah" and "Crosswords" than any Animal Collective release since MPP. Panda Bear is a drummer, after all, and his rhythms are often startlingly inventive. "Lonely Wanderer" would sound right in place on Strawberry Jam. "Selfish Gene" or "Tropic of Cancer" would lift even the most insensate listener to celestial emotional heights.
There will always be quibbling among the super-fans about mix of any Animal Collective release. I hope there will be a repeat of the TOMBOY expanded remix album with this release, maybe even an Animal Collective remix! The only dark cloud here is the idea that Lennox has been withholding his 'A-game' material for Grim Reaper, which
may explain why this record is so much better than Centipede Hrz. Panda Bear Meets The Grim Reaper is Christmas come early, for those with the leak, and is easily the best album of 2014.
Mr Noah is out now. Download 24-bit WAV. from Domino Records. Grim Reaper releases Jan. 14, and is available in a lovely package. See it here.